Each set is contained in a clear presentation pouch. Two sets of Robot helmet design schematics with individual components separated onto 8 layers of unbounded transparencies. A special edition 10” collector’s vinyl containing an extended interview with Giorgio Moroder taken from the original session recordings for the song, “Giorgio by Moroder”. A 56 page cloth-bound, hardcover photo book of images from the RAM recording sessions and film shoots, featuring a foreword by Paul Williams. Includes an 8 page saddle stitched booklet containing album artwork, credits and lyric sheets. A special edition 180 gram double vinyl with gold and silver foil labels. All individual contents are separated by vellum dividers printed with a circuit pattern texture inspired by the gloves of the Daft Punk Robots. Good luck! It contains the following items: The Deluxe Box Set Edition is presented in a cloth-bound box (333mm x 333mm / 13” x 13”) stamped with the Random Access Memories logo in gold foil on the cover.
Overseas bidders - if you are the winning bidder, the item will be sent using ebay's Global Shipping Programme (please refer to ebay's website for more information on this service and any charges you could be liable to pay for postage and import duties to your country of residence). I will package the item well to minimise the risk of damage in transit. I'm starting the auction at only £25 with no reserve!!! I'll post the book by fully insured postal/courier service within three working days of receiving payment from the winning bidder. It is a limited edition (2500 were made by Columbia Records and sold exclusively by them online).
I'm selling my own limited, collector's edition of Random Access Memories by Daft Punk. It remains the last time humans have been on the moon.Item: 112910385075 Daft Punk - Random Access Memories - Deluxe Box Set - Ltd Edition - New - Sealed. But there's somethin’ out there.” This was the Apollo 17 mission, December 1972. “As we look back at the Earth, it’s, uh, up at about 11 o’clock, about, uh, well, maybe 10 or 12 diameters,” the sampled voice of astronaut Eugene Cernan says on “Contact.” “I don't know whether that does you any good. There was joy in it, but there was melancholy, too: Here was a world seen through the rearview, beautiful in part because you couldn’t quite go back to it. “Get Lucky” and “Lose Yourself to Dance”-spotlights both for Pharrell and the pioneering work of Chic’s Nile Rodgers-recaptured the innocence of early disco and invited their audience to do the same.
“Touch” was “All You Need Is Love” for the alienation of a post- Space Odyssey universe “Give Life Back to Music” wasn’t just there to set the scene, it was a command-just think of all the joy music has brought you. The concept, as much as the album had one, was to suggest that as great as our frictionless digital world may be, there was a sense of adventurousness and connection to the spirit of the ’70s that, if not lost, had at least been subdued. The theatricality that had always been part of their stage show and presentation found its musical outlet (“Giorgio by Moroder,” the Paul Williams feature “Touch”), and the soft-rock panache they started playing with on 2001’s Discovery got a fuller, more earnest treatment (“Within,” the Julian Casablancas feature “Instant Crush,” the I-can’t-believe-it’s-not-The-Doobie-Brothers moves of “Fragments of Time”). So while the live-band-driven sound of 2013’s Random Access Memories was a curveball, it was also a logical next step. But it also marked Daft Punk as a group with a strong, dynamic relationship to the past whose music served an almost dialogic function: They weren’t just expressing themselves, they were talking to their inspirations-a conversation that spanned countries, decades, styles and technological revolutions. Within the context of 1997’s Homework, “Teachers” presented the group as bright kids ready to absorb the lessons of those who came before them. There is an early Daft Punk track named “Teachers” that, effectively, served as a roll call for the French duo’s influences: Paul Johnson, DJ Funk, DJ Sneak.
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